Showing posts with label video production. Show all posts
Showing posts with label video production. Show all posts

Thursday, March 6, 2014

The Copy Is For Your Prospect, Not You

By Propulsion Media Labs Talent #54 Jim R.


I live in multiple worlds: one as a voiceover talent, another as copywriter for clients in various business sectors featured in print, web and broadcast mediums. Put another way: I can put thoughts and sales pitches into words and bark ‘em into a microphone – for a fee, of course. Bank deposits are a beautiful thing.

I see a bunch of, ahem, ‘writing examples’ during the course of a business day. Some are brilliantly written, many are sloppy and usually about the client or their sale. Granted you need an offer – but getting a starving crowd to your door or website requires copy based on the wants, needs and desires of your ideal prospect.

See, it’s easy for marketers and business owners to adopt the age old platitude that if you build it, they will come. The reality is 180-degrees the opposite.

Are you listening closely to your customers and prospects?
What keeps your prospects up at night? What situation would they like to eradicate from their life right now? How do they speak and verbalize their need? What itch do they have that only you can scratch?

For example, in my local area there is a hearing aid retailer who seemingly has a different message every few weeks. His pitch ranges from price, to the fact we change as we get older (that TV spot features footage of him playing drums in a college band) to the heart-tugging plea that hearing loss means you’ll miss what your grandkids are saying. None of this really matters to a hearing aid prospect.

The hearing aid industry has done extensive market research which reveals the actual reason why a seasoned citizen buys a hearing aid. The real reason they buy is fear – that their adult children interpret their hearing loss as Mom or Dad becoming feeble and time to be shuttled into a retirement or nursing home.

I have two older brothers who wear hearing aids – they each went through this. My wife tells me I’m on the same path, by the way. I pretend I don’t hear her!

A spot addressing the nursing home reality for the hearing aid market will cut through the clutter and squarely address a prospects concern, fear and offer a solution to what’s keeping these prospects awake at night, staring at the ceiling fan.

OK, so how do you tap into your prospects mind? The best way is to ask your current clients, customers and patients why they chose you and how they’ve benefitted by the association. This might also be a good time to ask them how you can better serve them.

It also wouldn’t hurt to ask your best customers for a testimonial. I sometimes write something up for clients and ask them to make whatever changes they want to make, sign it and return it to me on their letterhead. Easy for them and I have a client saying how great they think I am. Way more believable to a reader than my saying it about myself. You’ll be able to use these testimonials in your print, broadcast and web marketing initiatives, too.

Now that you’ve received some feedback from your best clients, write yourself a letter from your ideal, composite customer. “Dear Mr. Big, what I really need is a better way to control my __(blank)__. If only someone could solve _(blank)_, my biggest worries, pain and frustration would go away.” This is a trick copywriters in the direct-marketing field use to make sure they have an accurate demographic and psychographic profile and understanding of the prospect they're writing an ad for.

A friend of mine, who is a best-selling author, further fleshes out the details of the characters in her novels by “interviewing” them. I’ve seen her do this and it looks like a séance. The bottom line is that she obtains an acute awareness of the characteristics of the people she brings to life in her books. Her characters always seem very real when you read her books, too. The interview technique might sound a little “out there,” but I encourage you to do the same in order to accurately profile your ideal prospective customer.

The more your broadcast, print or web copy is completely aligned with how beneficial your product is to your target client, the more these people will beat a path to your business with cash and credit cards. You have what they want, they have what you want.


Maybe that old axiom should read: build it right – and market it right – and they will come. 

Tuesday, September 20, 2011

Athletes in Advertisements

From sports drinks and sneakers to televisions and cable service, companies often choose athletes to promote their products.  Why not capitalize on the opportunity to associate a product or service with an athlete who has a built-in following of thousands or millions of people?  However, choosing an athlete to promote a product can have its issues.  Some athletes can be dynamic on-screen talents.  Others not so much.  Think of Peyton Manning vs. Eli Manning.  Peyton is charismatic and likeable as he explains how to throw a football for Gatorade, shows off NFL Sunday Ticket for DIRECTV, and cheers on the local butcher to “cut that meat” for Mastercard.  A recent Samsung commercial is just one example of Peyton’s brother falling short.  The words stiff and awkward come to mind when describing Eli’s performance.

What can a producer do to make an athlete look and sound better on screen?  The first thing is to tell the athlete to act natural and speak as they normally would.  The goal is for the athlete to be conversational, as opposed to the monotone delivery we often see.  If the athlete still sounds like a robot, you can tell him or her to pay attention to the enunciation of certain words, which will hopefully create some vocal variety.  The important thing to know is with the right direction, athletes can improve as television personalities.  While part of on-screen performance comes from natural ability, experience and comfort in front of the camera will greatly improve the sound and look of these athletes in advertisements.

By:
Alex Campbell
Fall 2011 Intern
University of Delaware, Communication

Thursday, September 15, 2011

Lighting 101


Lighting is one of the biggest ways to make an amateur film look professional! 

The most basic lighting set-up is called the 3-point system.  It consists of a key light, a fill light, and a back light.  The key light is your main source of light and should be placed in front of the subject off to the left.  The fill light supplements the key light, and fills out the shadows that the key light casts.  The fill light is usually about half the power of the key light, and is placed to the front right of the subject.  The final light is the back light which separates the subject from its background.  This light is placed behind the subject, or slightly off to the side.



Mood Lighting

Playing with the fill light can give the shot several different moods.  Having little or no fill light is known as “low-key lighting.”  It causes a dramatic effect with lots of shadows, and is often used in horror and suspense films; think holding a flashlight under your chin while telling a spooky story.  Having high fill light, or matching the intensity of the key light, is known as “high-key lighting.”  It eliminates most, or all, shadows and is often used to indicate futuristic or utopian places; think of how “heaven” is depicted as a blindingly bright place.

Working with what you have!

Sometimes the only lighting you need already exists at your location. Artificial light is not the only way!

    * Natural sunlight is a great tool when filming outdoor scenes.  It adds a realism to your shots that cannot be achieved in any studio, and it’s free!
    * Filming a scene with spies, criminals, or generally shady characters near allies at night?  The lights on the outside of buildings will cast shadows in all the right places.
    * Having lights visible in a shot is not always a bad thing.  You can make light sources like lamps, streetlights, flashlights, or even tiki torches do double duty as on-screen props.


By: 
Emily Levy 
Fall 2011 Intern
La Salle University, Communication and Art History 

Wednesday, September 14, 2011

Best Audio/Visual Apps for the iPhone

With many people carrying around iPhone’s or some sort of device in their pocket, the world today is fast moving and on the go. There are never ending possibilities to what can be done on that four inch screen; including the things we love to do here at Propulsion Media Labs. Listed below are just a few of the best Audio/Visual apps available on the iPhone.
Gorillacam

Gorillacam: This is a great extension to the iPhone’s camera. It has many options Apple should have included and some that you would not expect, but prove to be very useful.  Gorillacam isn’t just a camera app for fun, but every available setting is one that can be very helpful. Price: FREE


Flixlab: Flixlab is a fun and easy video creation/editing application that can be linked directly to Facebook. You can shoot or use a previous video on your iPhone to make some cool and unique creations. Overall, Flixlab is great for putting together simple, enjoyable slide shows or videos that can be shared with family and friends. Price: FREE

CineCam: CineCam is a great easy app to shoot video with. While you cannot edit video with this application, it has some great shooting features. You can choose different lenses, films, and filters.Nevertheless, the video shooting combinations with CineCam are endless. Price: FREE
CineCam
Splice: Unlike CineCam and Flixlab, Splice is a much more sophisticated video editing application for your Smartphone. Splice may take a little bit of time to get the hang of, but when you do you will be making great videos in the palm of your hand. Splice works great with videos that are filmed with CineCam. Price: FREE or there is an extended version for $3.99
Splice
Monle: This last app, Monle, is special for our audio guys here at Propulsion; Tom and Scott. Since they hate leaving the office everyday…they can now do what they love whenever, wherever. Monle is a four track, non linear portable audio recording and editing studio. It is truly unbelievable what this app is capable of. Price: $9.99

All of these apps are a great way to get started in the Audio/Visual field or just a fun tool to use on the go.

Written By:
Justin Kaufmann
Fall 2011 Intern
Temple University