Tuesday, September 20, 2011

Athletes in Advertisements

From sports drinks and sneakers to televisions and cable service, companies often choose athletes to promote their products.  Why not capitalize on the opportunity to associate a product or service with an athlete who has a built-in following of thousands or millions of people?  However, choosing an athlete to promote a product can have its issues.  Some athletes can be dynamic on-screen talents.  Others not so much.  Think of Peyton Manning vs. Eli Manning.  Peyton is charismatic and likeable as he explains how to throw a football for Gatorade, shows off NFL Sunday Ticket for DIRECTV, and cheers on the local butcher to “cut that meat” for Mastercard.  A recent Samsung commercial is just one example of Peyton’s brother falling short.  The words stiff and awkward come to mind when describing Eli’s performance.

What can a producer do to make an athlete look and sound better on screen?  The first thing is to tell the athlete to act natural and speak as they normally would.  The goal is for the athlete to be conversational, as opposed to the monotone delivery we often see.  If the athlete still sounds like a robot, you can tell him or her to pay attention to the enunciation of certain words, which will hopefully create some vocal variety.  The important thing to know is with the right direction, athletes can improve as television personalities.  While part of on-screen performance comes from natural ability, experience and comfort in front of the camera will greatly improve the sound and look of these athletes in advertisements.

By:
Alex Campbell
Fall 2011 Intern
University of Delaware, Communication

Monday, September 19, 2011

Part 12 of PML’s: How does a Voice Talent Prepare for a Session?


We asked some of our top 100 voice talents to find out how they get ready for a voice session. Here is what Ed B. says...

“I usually prepare for a session by asking for the copy well in advance. It's always nice to read through it a few times before even turning on the mic. When it's a client directed session I also like to know the names of everyone before the session begins. If it's a big session I always have hot tea and water nearby as well. A hot tea always helps me to relax and it's good for the voice and throat. I always try to clear my mind before a session as well for better concentration.”


More responses from other talents are coming soon!

Friday, September 16, 2011

You wouldn't buy makeup from Mr. Clean...


No matter how often they tell you we live in a gender neutral society, don't believe them.
“A woman can do anything a man can do.”

“There’s no real difference between the sexes.”
“Gender stereotypes are a thing of the past.”
All lies.

How do I know? Well it’s in the advertising.

Gender-stereotypical marketing has been the most popular component of advertising since they created sliced bread. And then got a woman to sell it.
Why? Because women know more about bread....and cooking....and cleaning....and taking care of children.


“Men are more likely to be shown advertising cars or business products; women are mostly advertising domestic products. Men are more likely to be shown outdoors or in business settings; women in domestic settings.”
says Dr. Daniel Chandler, visual semiotician, in “Television and Gender Roles."
“The portrayal of both men and women on TV is largely traditional and stereotypical... [With femininity are associated traits such as emotionality, prudence, co-operation, a communal sense, and compliance. Masculinity tends to be associated with such traits as rationality, efficiency, competition, individualism and ruthlessness.]”

In general, the only time you’ll see a woman advertising power tools or a new motorcycle is if she’s lying naked on top of it.
Why? Because women are sexy. And sex sells.


Is there something wrong with this system? Not necessarily. You wouldn’t buy makeup from Mr. Clean, but you would from Drew Barrymore.

Even in today's “progressive”, postmodern culture, the majority of the population still clings to traditional gender roles and stereotypes. And advertisers know that if they want to appeal to the majority, they need to play into these stereotypes.

Is this a bad thing? Not necessarily. Men and women are different - thank God - and have different qualities. I don’t think women would have the patience to listen to men if they talked as much as we do.
Yes, I am making sweeping generalities. But think about it, generalities sell.

Thursday, September 15, 2011

Lighting 101


Lighting is one of the biggest ways to make an amateur film look professional! 

The most basic lighting set-up is called the 3-point system.  It consists of a key light, a fill light, and a back light.  The key light is your main source of light and should be placed in front of the subject off to the left.  The fill light supplements the key light, and fills out the shadows that the key light casts.  The fill light is usually about half the power of the key light, and is placed to the front right of the subject.  The final light is the back light which separates the subject from its background.  This light is placed behind the subject, or slightly off to the side.



Mood Lighting

Playing with the fill light can give the shot several different moods.  Having little or no fill light is known as “low-key lighting.”  It causes a dramatic effect with lots of shadows, and is often used in horror and suspense films; think holding a flashlight under your chin while telling a spooky story.  Having high fill light, or matching the intensity of the key light, is known as “high-key lighting.”  It eliminates most, or all, shadows and is often used to indicate futuristic or utopian places; think of how “heaven” is depicted as a blindingly bright place.

Working with what you have!

Sometimes the only lighting you need already exists at your location. Artificial light is not the only way!

    * Natural sunlight is a great tool when filming outdoor scenes.  It adds a realism to your shots that cannot be achieved in any studio, and it’s free!
    * Filming a scene with spies, criminals, or generally shady characters near allies at night?  The lights on the outside of buildings will cast shadows in all the right places.
    * Having lights visible in a shot is not always a bad thing.  You can make light sources like lamps, streetlights, flashlights, or even tiki torches do double duty as on-screen props.


By: 
Emily Levy 
Fall 2011 Intern
La Salle University, Communication and Art History 

Wednesday, September 14, 2011

Best Audio/Visual Apps for the iPhone

With many people carrying around iPhone’s or some sort of device in their pocket, the world today is fast moving and on the go. There are never ending possibilities to what can be done on that four inch screen; including the things we love to do here at Propulsion Media Labs. Listed below are just a few of the best Audio/Visual apps available on the iPhone.
Gorillacam

Gorillacam: This is a great extension to the iPhone’s camera. It has many options Apple should have included and some that you would not expect, but prove to be very useful.  Gorillacam isn’t just a camera app for fun, but every available setting is one that can be very helpful. Price: FREE


Flixlab: Flixlab is a fun and easy video creation/editing application that can be linked directly to Facebook. You can shoot or use a previous video on your iPhone to make some cool and unique creations. Overall, Flixlab is great for putting together simple, enjoyable slide shows or videos that can be shared with family and friends. Price: FREE

CineCam: CineCam is a great easy app to shoot video with. While you cannot edit video with this application, it has some great shooting features. You can choose different lenses, films, and filters.Nevertheless, the video shooting combinations with CineCam are endless. Price: FREE
CineCam
Splice: Unlike CineCam and Flixlab, Splice is a much more sophisticated video editing application for your Smartphone. Splice may take a little bit of time to get the hang of, but when you do you will be making great videos in the palm of your hand. Splice works great with videos that are filmed with CineCam. Price: FREE or there is an extended version for $3.99
Splice
Monle: This last app, Monle, is special for our audio guys here at Propulsion; Tom and Scott. Since they hate leaving the office everyday…they can now do what they love whenever, wherever. Monle is a four track, non linear portable audio recording and editing studio. It is truly unbelievable what this app is capable of. Price: $9.99

All of these apps are a great way to get started in the Audio/Visual field or just a fun tool to use on the go.

Written By:
Justin Kaufmann
Fall 2011 Intern
Temple University 

Monday, August 8, 2011

Part 11 of PML’s: How does a Voice Talent Prepare for a Session?


We asked some of our top 100 voice talents to find out how they get ready for a voice session. Here is what Sheila says…
“The best thing I can do to prepare for sessions is to sleep well, eat well and drink lots of water. Along with those basics, I spend time every day getting grounded in an attitude of gratefulness and peace. My state of mind affects my performance and there's nothing better than a clear mind and heart to produce your best work.”
More responses from other talents are coming soon!
Jordan Eckenrode
Intern, Propulsion Media Labs

Monday, August 1, 2011

Part 10 of PML’s: How does a Voice Talent Prepare for a Session?



We asked some of our top 100 voice talents to find out how they get ready for a voice session. Here is what Kevin says…

“It's pretty simple and I'm sure most voice talents do the same. I will read over the copy for any unusual words requiring pronunciation help. Then read for timing and style, basically getting comfortable with the script. I make sure not to get too familiar with it though because my interpretation might be a little different than the director's. This way I am comfortable with the verbiage but "pliable" enough to give the director what they need.”

More responses from other talents are coming soon!
Jordan Eckenrode
Intern, Propulsion Media Labs